Friday, May 17, 2013

5 Cent Coffee - She Should'a Had A Shot Of Shine

Bitrate: 320K/s
Time: 40:30
Size: 94.6 MB
Label: Duck On Bike
Styles: Dirty blues, Americana
Year: 2011
Art: Front

[5:26] 1. Saint James Infirmary
[3:39] 2. Ayasofia
[2:45] 3. Cocaine Blues
[5:20] 4. Cut Me Down
[4:47] 5. Channel One Blues
[2:42] 6. Guns And Balloons
[4:22] 7. House Of The Rising Sun
[4:53] 8. Brass Ring
[3:58] 9. Well Well Well
[2:34] 10. Momotaro

5 Cent Coffee's second full length release "She Should'a Had a Shot of Shine" was recorded by trading cheap whiskey to a blind man. All tracks are recorded and mixed live in the studio. There are songs about murder, Medusa, booze, free Japanese porn, the Peach Boy or Okayama and more! Listen and learn!

5 Cent Coffee is an eclectic trio dedicated to organic old fashioned sound; an amalgamation of a by-gone nation, mixed with the fresh scent of a smile or the wail of a lament. Ukulele driven original material with stand up bass and melodeon - throw in a washboard, a kazoo - some junk, an old shoe, wear a grumpy hat, cry a tear or two, and you’re there by the side of an old dusty highway...

Doodles LaRue, vocals, button accordion, washboard, junk percussion, 17 1/2-pound chain; Smitty "Spitshine" Delacroix, vocals, ukulele, guitar, washboard, megaphone; Slick McCoy, bass, vocals.

She Should'a Had A Shot Of Shine

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Thursday, May 16, 2013

JD Hobson Band - Where the Sun Don't Shine

Bitrate: 320K/s
Time: 45:05
Size: 105.7 MB
Label: (Self released)
Styles: Americana, Country blues
Year: 2011
Art: Front

[3:39] 1. Last Kind Words
[4:33] 2. Carter Cain
[2:38] 3. Darkest Hour Has Passed
[3:17] 4. Where the Sun Don't Shine
[3:52] 5. Spoonful
[3:33] 6. Belly of the Beast
[2:28] 7. Big Mountain Blues
[2:31] 8. Walking Out the Door Crying Blues
[3:52] 9. Blues in the Bottle
[3:31] 10. Sick in My Soul
[4:11] 11. Desert Road
[3:55] 12. Nobody's Dirty Business
[3:00] 13. Good Time Girl

JD Hobson has a large repertoire of upbeat Americana and Country Blues which is enjoyed by his strong following. The JD Hobson Band is the natural evolution of JD's solo career in the Seattle area. Made up of three members, the band brings even more energy and depth to the upbeat, soulful music their fans have come to love. Whether it's their rockin' version of Son House's "Preachin' the Blues" or the true Americana flavor of JD's original song, "Where the Sun Don't Shine," their music has been known to get the whole place dancing. As the winner of the South Sound Blues Association's Back to Beale Street solo/duo competition, he recently competed in Memphis at the 2011 International Blues Challenge for the second year in a row.

JD was also nominated by the Washington Blues Society members for a 2011 Best of the Blues award in the best solo/duo category.

Where the Sun Don't Shine

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Ishman Bracey & Charlie Taylor - Complete Recorded Works In Chronological Order 1928-1929

Size: 176,5 MB
Time: 76:09
File: MP3 @ 320K/s
Released: 1991
Styles: Piano Blues, Pre-War Blues, Country Blues, Delta Blues
Label: Document Records
Art: Full

01. Stranger Blues (Rosie Mae Moore, Vcl.) (3:31)
02. Saturday Blues (3:29)
03. Left Alone Blues (3:31)
04. Leavin' Town Blues (Take 1) (3:29)
05. Leavin' Town Blues (Take 2) (3:29)
06. Brown Mamma Blues (Take 1) (3:35)
07. Brown Mamma Blues (Take 2) (3:07)
08. Trouble Hearted Blues (Take 1) (3:33)
09. Trouble Hearted Blues (Take 2) (3:24)
10. The Four Day Blues (Take 1) (3:21)
11. The Four Day Blues (Take 2) (3:19)
12. Jake Liquor Blues (3:30)
13. Family Stirving (3:14)
14. Mobile Stomp (New Orleans Nehi Boys) (3:13)
15. Farish St. Rag (New Orleans Nehi Boys) (2:57)
16. Woman Woman Blues (3:29)
17. Suitcase Full Of Blues (3:04)
18. Bust Up Blues (2:55)
19. Pay Me No Mind (3:14)
20. Heavy Suitcase Blues (3:12)
21. Louisiana Bound (3:11)
22. Too Damp To Be Wet (Taylor & Bracey) (3:07)
23. Where My Shoes At? (Taylor & Bracey) (3:04)

Bracey's complete recorded works (1928-1929) are presented in chronological order on this single disc, with the bonus of four tracks by the elusive Charley Taylor. Since Bracey only recorded a handful of sides, this compilation is far more accessible than most of Document's Complete Recorded Works discs. Furthermore, Bracey was one of the best Delta blues artists of the '20s and his work is consistently engaging. Complete Recorded Works (1928-1929) is the best compilation available on Bracey -- not only does it work as a concise introduction, it has everything completists will need. ~Review by Cub Koda

Complete Recorded Works In Chronological Order 1928-1929

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Wednesday, May 15, 2013

Blind John Davis - S/T

Bitrate: 320K/s
Time: 39:08
Size: 91.2 MB
Label: Evidence
Styles: Chicago blues
Year: 1983/1994
Art: Front

[2:55] 1. I Had A Dream
[2:25] 2. I Know The Baby Loves Me
[2:44] 3. Hey Hey Mama
[3:30] 4. The Woman I Love
[3:36] 5. I Heard An Echo
[3:11] 6. The Tricks Dont Turn On You
[2:41] 7. Dont Lie To Me
[3:31] 8. Harlem Blues
[2:49] 9. When The Blues Birds Come Out To Sing
[3:56] 10. Pretty Blues For Listening
[2:27] 11. When I've Been Drinking
[2:26] 12. Bartenders Bounce
[2:51] 13. Penny Pitchin' Blues

Chicago native John Henry Davis spent most of his later years recording in Europe, where he was much better known than he was in the U.S. This release, recorded in the mid-'80s, spotlights Davis solo at the piano (except for the final bonus track, which features a vocal by Jeanne-Marie Carroll), and his warm, unhurried playing and singing is as comfortable as an old easy chair. Although he helped format the Chicago blues sound through his work in the 1930s and 1940s with artists like Tampa Red, Sonny Boy Williamson, and Big Bill Broonzy, Davis seems most at home doing a kind of lounge blues, an approach that plays to his strengths. The opening track on this collection, "I Had a Dream," sets the pace here, and it is a likeable tune that contains the line "I dreamed I won the Brooklyn Bridge on my knees shooting dice" before turning into a song of amused resignation. The wistful "I Heard an Echo" is another highlight, and "Pretty Blues for Listening" has a winning and delicate jazz feel. It all adds up to a pleasant listen, and the piano playing here is smooth and easy, with just enough Chicago left in to give the performances an edge. ~ Steve Leggett. Recorded in 1983.

Blind John Davis

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Tuesday, May 14, 2013

Kate Wolf - Looking Back At You: Live In Los Angeles, 1977-1979

Bitrate: 320K/s
Time: 40:04
Size: 93.9 MB
Label: Collectables
Styles: Folk
Year: 1994/2009
Art: Front

[3:34] 1. The Old Street Singer
[3:55] 2. I Had A Good Father And Mother
[3:09] 3. Hold On To Me Babe
[6:39] 4. Rock, Salt And Nails
[3:23] 5. The Lover's Return
[3:50] 6. Looking Back At You
[4:20] 7. Bird On A Wire
[5:16] 8. Springfield Mountain Coal Miner
[4:13] 9. These Days
[1:41] 10. Traveling Day

Recorded live at Folkscene Radio Program, KPFK-FM Radio, Los Angeles, California; San Diego Folk Festival, San Diego, California; McCabe's Guitar Shop, Santa Monica, California between 1977 and 1979. Includes liner notes by Bill Griffin. One of the many anthologies of previously-unheard material released after Kate Wolf's 1986 death from leukemia, 1994's LOOKING BACK AT YOU is Wolf at her simplest. Largely unadorned, with only occasional and unobtrusive backing by three guitarist pals (not all at the same time) including longtime collaborator Nina Gerber, these 12 songs focus almost entirely on Wolf's angelic voice and sturdy melodies. LOOKING BACK AT YOU was mostly recorded at the legendary McCabe's Guitar Shop in Santa Monica, and the cozy venue adds greatly to the intimacy of these quietly powerful performances. Unlike most of Wolf's albums, LOOKING BACK AT YOU consists mostly of covers, ranging from familiar Jackson Browne and Leonard Cohen tunes to a pair of traditional folk songs, and a cover of Utah Phillips' obscure anthem "Rock Salt and Nails." Of the three originals, the sorrowful title track is the highlight.

Don Lange, Don Coffin (vocals, guitar); Nina Gerber (guitar, harmonica). Personnel includes: Kate Wolf (vocals, guitar); Don Coffin (guitar, mandolin, background vocals); Chris Clarke, Ken Perry (background vocals).

Looking Back At You: Live In Los Angeles, 1977-1979

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Michael De Jong - Life In D-Minor

Size: 115,3 MB
Time: 49:58
File: MP3 @ 320K/s
Released: 2012
Styles: Contemporary Blues
Label: MW Records
Art: Front & Back

01. Life In D Minor (4:40)
02. Absolutely Nothing (4:38)
03. Everbeen ... (3:00)
04. Got Immune To It (7:13)
05. Monkey See Monkey Do (7:29)
06. Can't Live In Between (4:10)
07. Feeling Rip Van Winkel (6:12)
08. The Gift (4:22)
09. One Day At A Time (2:27)
10. No Fool Like An Old Fool (5:43)

Michael de Jong was born in France in 1945, his father was a Dutchman, his mother a French Basque woman. After the war, they moved to the Netherlands and later emigrated to the US in 1950. In 1965 he moved to Detroit and became a regular at the Ann Arbor Blues Festival. Between 1970 and 1974 he toured the US ending up in New Orleans often sharing the stage with Professor Longhair or The Neville Brothers. For the next 10 years he lived in San Francisco and played with or supported artists like Jerry Garcia, Paul Butterfield, Albert Collins, John Lee Hooker, Maria Muldaur, Country Joe, Charlie Musselwhite, Albert King and many others.

Life In D-Minor
(Contains kmn in tags, if you dont like it, don't download it)

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Monday, May 13, 2013

Jimmie Rodgers - The Folk Song World Of Jimmie Rodgers

Bitrate: 320K/s
Time: 35:06
Size: 80.4 MB
Label: Roulette/Hallmark
Styles: Folk
Year: 1961/2011
Art: Front

[2:35] 1. Hush Little Baby
[2:56] 2. English Country Garden
[4:25] 3. Seven Daffodils
[3:04] 4. Little One
[3:35] 5. Boll Weevil
[2:53] 6. The Whiticombe Fair
[3:01] 7. Midnight Special
[2:27] 8. Hole In The Window
[3:43] 9. Four Marys
[2:27] 10. A Little Dog Cried
[2:08] 11. Nobody Knows You When You're Down And Out
[1:46] 12. Old Joe Clark

Following his military career Jimmie Rodgers returned to his hometown, Camas, Washington and decided to attempt a singing career. Soon he became a local celebrity, singing in various small clubs for even smaller wages. Washington State was good to him. Not only did it give Jimmie confidence, but it also re-united him to his childhood sweetheart and bride to be, Colleen McClatchey.

It was time for Jimmie to reach out for the “brass ring” and attempt to break into the record industry. Jimmie’s first big break came in New York where he auditioned and won a talent contest on the Arthur Godfrey national television show. He sang the song “The Fox and the Goose”. He also cut his first record demo for Roulette Records. The record demo was “Honeycomb” and the rest, as they say, is history. “Honeycomb” went to Number One on the charts and stayed there for seven weeks.

Jimmies career eventually encompassed more than 450 recorded songs (including over 40 top ten hits!), multiple television appearances, his own TV show and 2 motion pictures.

The Folk Song World Of Jimmie Rodgers

David Maxwell - Maximum Blues Piano

Size: 153,2 MB
Time: 66:21
File: MP3 @ 320K/s
Released: 1997
Styles: Piano Blues
Label: Tone-Cool Records
Art: Full

01. Blues Don't Bother Me (5:49)
02. Breakdown On The Bayou (5:01)
03. After Hours (7:13)
04. Sister Laura Lee (5:59)
05. Down At Pj's Place (6:17)
06. Honky Tonk Train (7:05)
07. Heart Attack (4:53)
08. Deep Into It (8:02)
09. Walk The Walk (3:59)
10. Manhattan Max (Boppin' Wit Da Chippies) (5:28)
11. Take Me On Home (6:33)

Maxwell's solo debut has been a long time in coming, but it been worth the wait, as he neatly sidesteps the curse of the non-vocalist bandleader. Bringing in Darrell Nulisch for one vocal ("Heart Attack") only distracts from this fine instrumental showcase for David's prodigious abilities. Maxwell literally sparkles on the gospel-ish sanctified shout of "Sister Laura Lee," the New Orleans strut of "Breakdown On the Bayou," the boogie woogie classic "Honky Tonk Train" and "Manhattan Max," trading licks throughout with guest stars Ronnie Earl, Duke Levine and saxman supreme Mark "Kaz" Kazanoff, basically the cream of the New England blues mafia. The fact that Maxwell has learned his slow blues lessons well is exhibited on the Pete Johnson tribute, "Down at P.J.'s Place," "Deep Into It" and a seven-minute-plus rendition of Avery Parrish's "After Hours." This is more than just an impressive debut; this is a record of great playing and uncommon musical depth. ~Review by Cub Koda

Maximum Blues Piano

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Sunday, May 12, 2013

Blind Lemon Jefferson - King Of The Country Blues

Bitrate: 320K/s
Time: 66:02
Size: 151.2 MB
Label: Yazoo/Shanachie
Styles: Acoustic Texas bkues
Year: 1985/2005
Art: Front

[2:40] 1. That Crawlin' Baby Blues
[2:51] 2. Bad Luck Blues
[3:00] 3. Matchbox Blues
[2:57] 4. Hot Dogs
[2:47] 5. One Dime Blues
[3:04] 6. Shuckin' Sugar
[2:55] 7. Rabbit Foot Blues
[3:03] 8. Corrina Blues
[2:51] 9. See That My Grave Is Kept Clea
[2:56] 10. Easy Rider Blues
[3:01] 11. Broke And Hungry
[2:56] 12. Black Horse Blues
[2:26] 13. Lonesome House Blues
[2:45] 14. Oil Well Blues
[2:47] 15. He Arose From The Dead
[2:51] 16. Beggin' Back
[2:46] 17. Prison Cell Blues
[2:47] 18. Rambler Blues
[2:45] 19. Gone Dead On You Blues
[3:07] 20. Wartime Blues
[2:49] 21. Booger Rooger Blues
[2:54] 22. Right Of Way Blues
[2:54] 23. Big Night Blues

After proclaiming Charlie Patton Founder, and eventually King of the Delta Blues, the experts at Yazoo declared Blind Lemon Jefferson King of the Country Blues. A weighty claim considering their own catalog of early American acoustic blues would eventually include titles by Skip James, Blind Willie Johnson, and Mississippi John Hurt (as well as the exceptional Patton sets). The detailed liner notes by Stephen Calt, however -- along with the 23 performances on this disc -- make a rather convincing argument. In his heyday, few could rival Jefferson for sheer record sales or musical artistry. He was quite simply an inimitable guitarist who resided outside the Texas blues tradition he was born into. At its most impressive, his style was a complex combination of chords and patterns that seemed almost freely deployed behind his rich tenor. His tendency to string contrasting figures end to end (rather than on top of each other, in the more common, syncopated style) can be heard here on "That Crawlin' Baby Blues," "Matchbox Blues," and "Rabbit Foot Blues," among others. Heralded as classic country blues by fans, such material earned Jefferson a great deal of criticism from his musical contemporaries who felt his style was rhythmically inconsistent. Not everything present here is as stunning as the sides mentioned above, yet even when Jefferson relies on convention ("He Arose From the Dead," "Beggin' Back"), he remained the equal of his fellow bluesmen. Though Document Records have given Jefferson their complete recorded works treatment on four CDs, King of the Country Blues provides a much needed, single-disc primer of this blues great. ~Nathan Bush

King Of The Country Blues

Saturday, May 11, 2013

Drink Small - Hallelujah Boogaloo

Size: 102,4 MB
Time: 44:18
File: MP3 @ 320K/s
Released: 2010
Styles: Acoustic Blues
Label: Music Maker
Art: Front

01. Widow Women (4:14)
02. So Sweet (2:36)
03. Motherless Child (4:39)
04. Moanin' (5:08)
05. Women Love A Man That Can Play The Slide (4:06)
06. Song With No Name (4:15)
07. Blues By The Drink (3:48)
08. One Woman (5:05)
09. Greenback (3:44)
10. Coon Dog Blues (3:21)
11. Drink Blues (3:17)

"Hallelujah Boogaloo," features informal songs recorded over the last 13 years, highlighting this acoustic bluesman's raw and risque blues.

Hallelujah Boogaloo

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5 Cent Coffee - Bourbon & Beans

Bitrate: 320K/s
Time: 46:36
Size: 109.2 MB
Label: (Self released)
Styles: Folk-blues
Year: 2008
Art: Front

[1:29] 1. My Baby
[2:25] 2. Jawbone
[2:37] 3. John The Revelator
[3:46] 4. Devil Woman
[3:17] 5. Six Foot Two
[2:52] 6. Firewater
[3:53] 7. Chocolate Jesus
[2:24] 8. Two Bottles
[2:25] 9. Pedestrians
[3:19] 10. Birmingham Jail
[3:25] 11. Came Down From The Mountain
[2:45] 12. Amsterdam
[3:42] 13. Waterlogged
[3:30] 14. Cane Cutter
[4:39] 15. October

5 Cent Coffee is an eclectic trio dedicated to organic old fashioned sound; an amalgamation of a by-gone nation, mixed with the fresh scent of a smile or the wail of a lament.

Ukulele driven original material with stand up bass and melodeon - throw in a washboard, a kazoo - some junk, an old shoe, wear a grumpy hat, cry a tear or two, and you're there by the side of an old dusty highway...
We are NEo-Skiffle Junkyard Blues, with howling vocals; sometimes a sad accordion wails, sometimes your toe taps to a twang. Moody and candy-like, we write songs that cast you back into another time. We are inspired by sounds as diverse as the clang and thump of old jug and skiffle bands and early 20th century American music to Kurt Weill and Lottie Lenya to Tom Waits, Nick Cave, and the Tiger lillies.

We are:Smitty "Spitshine" Delacroix, Ukulele, Banjo-Uke, Guitar, Washboard, Megaphone, Vox Doodles LaRue, Melodeon (Ms. LaRue is proud that the button accordion she plays was signed by the Tigerlillies) Washboard, Chain, Kazoo, Ukulele, Vox; Slick Macoy, Bass, Baritone Ukulele, Vox

We sound something like: Tom Waits, Rube Waddell, the Tiger Lillies, Mark Growden, Bingo, Tin Men, Charles Bukowski, Nick Cave, PJ Harvey, Dresden Dolls, Blind Willie Johnson, Lotte Lenya, Leadbelly.

Bourbon & Beans

Friday, May 10, 2013

Alvin 'Youngblood' Hart - Down In The Alley

Size: 99,8 MB
Time: 43:05
File: MP3 @ 320K/s
Released: 2002
Styles: Acoustic Blues, Country Blues
Label: Memphis International
Art: Full

01. Judge Bouche (4:08)
02. How Long Before I Change My Clothes (3:35)
03. Deep Blue Sea (2:20)
04. Jinx Blues (3:23)
05. Bootlegger's Blues (2:47)
06. Alberta (5:40)
07. Broke And Hungry (3:28)
08. Devil Got My Woman (3:07)
09. Chilly Winds (4:40)
10. Tom Rushen Blues (3:40)
11. Please Baby (3:01)
12. Motherless Child (3:11)

Hart does a 180 after the husky, power trio/space/R&B/rock of 2000's Start With the Soul by spinning out a dozen blues covers in a solo acoustic setting. On his fourth album (for his fourth label), the contemporary bluesman sounds inspired and refreshed as he accompanies himself on acoustic six-string guitar, banjo, and mandolin. The production is from Memphis cult hero Jim Dickinson, who doesn't have a chance to do much other than provide inspiration in this sparse setting. Hart runs down fairly obscure tunes from Son House, Charley Patton, Leadbelly, Skip James, and Sleepy John Estes, infusing them with a jolt of energy while staying true to their original versions and invigorating them with inspired interpretations. Hart's voice is magnificent throughout -- yowling, moaning, doleful, yet proud as he pays tribute to the Delta and country blues masters. Even the well-worn traditional "Motherless Child" sounds fresh in this context. Eschewing the diverse -- some claim overly diverse -- approach of his previous few releases, Hart sticks to basics here. He keeps the tone spare, naked, and dry, which best fits the somber mood, especially on his high-lonesome banjo interpretation of Odetta's "Chilly Winds." Recorded in just three days, this return to the artist's country blues roots is at turns harrowing, haunting, and uplifting, just like the originals. Those who found the Thin Lizzy-edged rock attack of his last release too far removed from Hart's earlier rootsy approach will rejoice in this unvarnished, stripped-down, deep blues release. ~Review by Hal Horowitz

"In her presence you get that rare whiff of greatness." -- New York Times

"Amanda McBroom is not only the greatest singer/songwriter of her cabaret generation, but also about the only one: she writes short stories and sets them to music, stories of love and loss, and it is no surprise to discover that her great mentor was Jacques Brel, in whose songs she first appeared on Broadway a couple of decades ago." -- The Times

Down In The Alley

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Thursday, May 9, 2013

Michael De Jong - Alive

Size: 116,7 MB
Time: 50:34
File: MP3 @ 320K/s
Released: 1997
Styles: Contemporary Blues, Blues Folk
Label: Munich Records
Art: Front

01. Blues For Jimmy (2:25)
02. How Things Might Have Been (4:49)
03. Black And White (3:41)
04. Domestication Blues (3:32)
05. Looking Out My Window (7:30)
06. Think It Over (3:39)
07. Blow Wind Blow (3:28)
08. Ricardo's Revenage (4:43)
09. 'River And The Stone (8:09)
10. Angel Face (4:35)
11. Mind If I Pass (3:59)

With his dark, somber lyrics set to Americana-meets-the-blues arrangements, Michael de Jong has brought a new edge to the rock of the Netherlands, where he enjoys his largest fan base. His high-energy guitar wizardry inspired San Francisco Examiner critic Philip Elwood to write, "[de Jong] is my favorite local guitarist, an unforgettable voice and such a powerful delivery." Born to a Dutch father, who fled to France during World War II, and a French mother, de Jong spent much of his early youth living in Holland. He emigrated with his family to the United States in 1950, where he lived for the next 14 years. He has since divided his time between the San Francisco Bay Area and the Netherlands. de Jong has become known for his quick approach to recording. Nearly every track on his albums is the result of one or two takes. ~Bio by Craig Harris

Alive

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Wednesday, May 8, 2013

Graham Hine - You'll Be Hearing From Me Real Soon

Bitrate: 320K/s
Time: 56:55
Size: 133.0 MB
Label: Sunhouse Recordds
Styles: Delta blues
Year: 2009
Art: Front

[3:51] 1. Back Door Man
[6:36] 2. Walk On Water
[5:09] 3. Little Bit Of Heaven
[4:09] 4. Wrinkled Skin
[3:51] 5. You'll Be Hearing From Me Real Soon
[3:37] 6. Cherry Ball
[3:59] 7. Cross My Heart
[3:31] 8. Fishing Blues
[4:57] 9. Easy Jet
[3:28] 10. Thank God For The Wheel
[3:26] 11. If You Haven't Any Hay
[6:14] 12. Too Much Of This And Too Much Of That
[4:02] 13. Down At The Waiting Rooms

Graham started his musical career playing acoustic blues at folk clubs in and around Crawley Sussex in 1966 playing mostly John Lee Hooker and Snooks Eaglin material and later switched to Delta Blues after hearing Robert Johnson for the first time early in 1968. Graham swiftly became proficient in this idiom and became widely recognized for his guitar abilities and interpretation within the expanding UK blues scene.

In 1969, he was requested to record the first of two albums for the internationally acclaimed New York record company 'Blue Goose'. During this period, Graham was instrumental in the formation of the legendary Brett Marvin and the Thunderbolts, and with the band, enjoyed the opportunity to play alongside some of the great American bluesmen of the era. Throughout this time, Graham has always maintained and enhanced his acoustic guitar skills extending his repertoire and continually exploring new avenues of blues expression, for which he is acknowledged and respected.

In 2004, Graham rediscovered some tapes of an unfinished album recorded for Sonet Records in 1974, and together with new tracks recorded in 2004 released his first solo CD album for more than 30 years. Encouraged by fans and friends and motivated by the success of the project, Graham recorded a further solo CD, 'You'll Be Hearing From Me Real Soon' The new album is considered to be Graham's best ever and reviews in Blues In Britain and Blues Matters bear this out.

You'll Be Hearing From Me Real Soon

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Tuesday, May 7, 2013

Malvina Reynolds - Ear To The Ground

Bitrate: 320K/s
Time: 62:21
Size: 145.3 MB
Label: Smithsonian Foikways
Styles: Folk
Year: 2000
Art: Front

[2:23] 1. It Isn't Nice
[3:25] 2. On the Rim of the World
[2:18] 3. What Have They Done to the Rain?
[2:49] 4. Look on the Sunny Side
[2:55] 5. The World's Gone Beautiful
[0:55] 6. Little Boxes Intro
[2:12] 7. Little Boxes
[2:12] 8. Little Red Hen
[1:37] 9. Dialectic
[2:54] 10. Bury Me in My Overalls
[3:07] 11. There's A Bottom Below
[3:18] 12. The Little Mouse
[3:13] 13. Rosie Jane
[1:32] 14. The Money Crop
[2:02] 15. Magic Penny
[3:46] 16. The Albatross
[3:30] 17. Skagit Valley Forever
[0:54] 18. The Judge Said (Intro)
[2:47] 19. The Judge Said
[5:47] 20. Mario's Duck
[3:42] 21. Carolina Cotton Mill Song
[2:51] 22. Boraxo
[2:01] 23. This World

Recorded between 1960 & 1978. Includes liner notes by Rosalie Sorrels. Although the scope of this anthology is wide, it shouldn't be mistaken for a definitive best-of retrospective. All of the selections are taken from albums released on Reynolds' own Cassandra label between 1970 and 1980, with the addition of a couple of spoken-word introductions from Susan Wengraf's film on the singer, Love It Like a Fool. That means that there's nothing from her prior recordings on Folkways and Columbia in the '60s, and that the versions of her most well-known songs -- "Little Boxes" and "What Have They Done to the Rain?" -- are not the originals. At any rate, the music is interesting if quite uneven, and not always as well sung and performed as it is well-written. While Reynolds is known as a folk singer, her Cassandra recordings usually used a full electric band, and are actually more properly classified as folk-rock. With topical songs that take such a progressive and good-hearted position, one is almost reluctant to point out that Reynolds' straining, wavering vocals are not wholly up to the material. That's a shame, because although some of this stuff is sanctimonious, some of it is also quite good: not just "Little Boxes" and "What Have They Done to the Rain?," but others as well. Those who think of her as a protest folk singer might be surprised to find some pretty good, melodic folk-rockers here. The melancholic "The World's Gone Beautiful," as unlikely as it might seem, could have easily fit into the repertoire of a Jefferson Airplane-type group in the late '60s. It might be heresy to suggest this, but it could be that Reynolds' songs would have been better served by strong interpreters than by the singer herself. Still, this collection has its merits, including comprehensive, affectionate notes by friend and fellow folk singer Rosalie Sorrels. ~ Richie Unterberger

Compilation Of Studio & Live Recordings From 1960s & 1970s. Malvina Reynolds (vocals, guitar); Steve Goodman (6- & 12- string guitars); Julie Thompson (guitar, background vocals); Clark Maffitt, Brian Davies, Dick Rosmini, John Horton, Antero Jakoila, Nono Soderberg, Richard Rosmini (pedal steel guitar, harp); Jethro Burns (mandolin); B. Simpson, Bob Hoban (violin); Janet Bergano (cello).

Ear To The Ground

Mo' Albums...
Champion Jack Dupree - Two Classic Albums Plus
Gus Cannon - Complete Recorded Works In Chronological Order Vol. 1 & Vol. 2

Ann Rabson - Music Makin' Mama

Size: 138,5 MB
Time: 59:51
File: MP3 @ 320K/s
Released: 1997
Styles: Piano Blues, Acoustic Blues
Label: ALCD
Art: Full

01. Baby, Every Once In A While (3:47)
02. Givin' It Away (4:00)
03. No Later On (4:11)
04. One Meatball (3:40)
05. Snatchin' And Grabbin' (3:29)
06. Gonna Stop You From Giving Me The Blues (4:45)
07. He's Got Me Going (4:19)
08. Music Makin' Mama (3:15)
09. Another You (4:14)
10. What I Don't See Can't Hurt Me (3:44)
11. Serial Love (3:31)
12. Ain't That A Shame (3:27)
13. Hallelujah, I Just Love Him So (3:01)
14. Skin And Bones (3:49)
15. I Haven't Got A Clue (3:25)
16. Blue Boogie (3:07)

Music Makin' Mama starts with a bang and ends with a boogie -- the bang is Rabson's revved-up take on Huey "Piano" Smith's "Baby, Every Once in a While," and the boogie is a solo instrumental ode to two of her piano heroes, Jimmy Yancey and Meade Lux Lewis. Between these two end pieces, Rabson navigates through bluesy territory with her trademark gusto, digging up songs by Ray Charles, Big Bill Broonzy, Bessie Smith, and Cow Cow Davenport, while also throwing in a few originals for good measure. Not surprisingly, Music Makin' Mama will sound a fair bit rootsier than the typical Saffire -- The Uppity Blues Women album; Rabson, after all, has long been the traditionalist torchbearer in the group, and her burning reverence for the dusty, old blues song certainly shines through here. While this is technically her debut solo album, Rabson has been playing some of these songs for decades, and there's nothing tentative about her playing here. The solo cuts in particular (Smith's "He's Got Me Goin'," Roosevelt Sykes' "Skin and Bones," and Rabson's "Blue Boogie") stand out for their simple charm and pinpoint delivery. On the ensemble numbers, Rabson gets a helping hand from an all-star backing band that includes saxman Greg Piccolo, violinist Mimi Rabson (Ann's sister), and Alligator labelmates John Cephas, Phil Wiggins, and Bob Margolin. In 1998, Music Makin' Mama was nominated for two W.C. Handy Awards (for Acoustic Blues Album of the Year and Traditional Blues Album of the Year). ~Review by Ken Chang

Music Makin' Mama

Mo' Albums...
Ann Rabson - In A Family Way
Omar Shariff - The Raven

Monday, May 6, 2013

Casey Bill Weldon - Complete Recorded Works In Chronological Order 1935-1938

Album: Complete Recorded Works Vol.1 1935-1936
Size: 182,0 MB
Time: 78:29
File: MP3 @ 320K/s
Released: 1994
Styles: Country Blues, Pre War Blues, Chicago Blues
Label: Document Records
Art: Front

01. As The Clock Struck Four (3:06)
02. Docotor's Blues (2:58)
03. Race Horse Filly Blues (2:57)
04. What's The Matter With My Milk Cow (3:02)
05. My Stove Won't Work (2:56)
06. Somebody Changed The Lock On My Door (3:22)
07. Long-Eared Mule (3:24)
08. Somebody's Been Talking To You (3:25)
09. Howlin' Dog Blues (2:59)
10. Your Wagon's Worn Out Now (2:54)
11. Please Come On Down To My House (3:10)
12. Brown Skin Mama (2:49)
13. Street Walkin' Blues (2:58)
14. Arlena (2:46)
15. Somebody Changed The Lock On That Door (3:22)
16. W.P.A. Blues (3:17)
17. Flood Water Blues-No.1 (3:13)
18. Flood Water Blues-No.2 (Take 1) (3:14)
19. Flood Water Blues-No.2 (Take 2) (3:15)
20. Let Me Be Your Butcher (3:14)
21. I Got A Letter This Morning (2:56)
22. I'm A Stranger In Your Town (3:38)
23. Has My Gal Been Here (2:35)
24. Blues Everywhere I Go (3:21)
25. Somebody's Got To Go (3:24)

Nearly nothing is known about Casey Bill Weldon, a fine blues performer who recorded 100 titles under his own name. He is believed to have recorded with the Memphis Jug Band in 1927 (when he led his first sessions) and then nothing was heard from him until 1935, when he re-emerged as a steel guitarist and vocalist, recording for Vocalion and Bluebird. Three CDs from Document have all of Weldon's post-1934 recordings. The music ranges from lowdown blues to good-time romps with Weldon usually joined by Peetie Wheatstraw (whose vocal style influenced him) or Black Bob on piano and sometimes Bill Settles on bass. One four-song session is with a version of the Washboard Rhythm Kings that has clarinetist Arnett Nelson, Tampa Red on kazoo and/or guitar, and Washboard Sam on washboard, in addition to Weldon. Among the 25 numbers on this CD are "What's the Matter With My Milk Cow," "My Stove Won't Work," "Howlin' Dog Blues," "Somebody Changed the Lock on That Door," and "Let Me Be Your Butcher." Blues collectors will want to explore Casey Bill Weldon's music. ~Review by Scott Yanow

Complete Recorded Works Vol.1 1935-1936

Album: Complete Recorded Works Vol. 2 1936-1937
Size: 182,0 MB
Time: 78:29
File: MP3 @ 320K/s
Released: 1994
Styles: Country Blues, Pre War Blues, Chicago Blues
Label: Document Records
Art: Front

Size: 181,8 MB
Time: 78:27
File: MP3 @ 320K/s
Released: 1994
Styles: Country Blues, Pre War Blues, Chicago Blues
Label: Document Records
Art: Front

01. Casey Blues (3:21)
02. I'se Just A Bad Luck Man (3:22)
03. You Just As Well Let Her Go (3:09)
04. Keyhole Blues (Take 1) (3:08)
05. Streamline Woman (Take 1) (3:35)
06. Streamline Woman (Take 2) (3:03)
07. Talkin' To Myself (2:59)
08. Big Katy Adam (3:02)
09. Two-Timin' Woman (3:26)
10. Big Bill Blues (These Blues Are Doggin' Me) (3:08)
11. You Talk In Your Sleep (Take 1) (3:11)
12. You Talk In Your Sleep (Take 2) (3:19)
13. I Believe I'll Make A Change (3:03)
14. The Big Boat (3:13)
15. Can't You Remember (3:14)
16. Jinx Blues (2:40)
17. Gonna Take My Time (2:55)
18. We Gonna Move (To The Outskirts Of Town) (3:15)
19. Back Door Blues (3:13)
20. Front Door Blues (Take 1) (3:09)
21. Front Door Blues (Take 2) (3:08)
22. Oh, Red! (3:02)
23. You Waited Too Long (2:51)
24. Round And Round (Take 1) (2:57)
25. Round And Round (Take 2) (2:51)

Singer and steel guitarist Casey Bill Weldon may be obscure today, but he recorded enough material in a three-year period to fill up three CDs. Vol. 2 has five unissued performances (four of which are alternate takes) among the 25 performances. Various selections have Weldon joined by pianist Black Bob, Tampa Red or Big Bill Broonzy on guitars, Charlie McCoy on mandolin, and clarinetist Arnett Nelson. Weldon is best remembered for his composition "We Gonna Move to the Outskirts of Town," and the original version of that future standard is a highlight of this disc, along with such numbers as "I'se Just a Bad Luck Man," "Streamline Woman," "I Believe I'll Make a Change," and the good-time "Oh, Red." ~Review by Scott Yanow

Complete Recorded Works Vol. 2 1936-1937

Album: Complete Recorded Works Vol. 3 1937-1938
Size: 172,6 MB
Time: 74:19
File: MP3 @ 320K/s
Released: 1994
Styles: Country Blues, Pre War Blues, Chicago Blues
Label: Document Records
Art: Front

01. Give Me Another Shot (2:46)
02. I'll Get A Break Someday (Take 1) (2:57)
03. I'll Get A Break Someday (Take 2) (3:14)
04. Sold My Soul To The Devil (3:22)
05. I've Been Tricked (2:52)
06. No Good Woman (2:45)
07. Guitar Swing (Take 3) (2:58)
08. Guitar Swing (Take 4) (2:53)
09. Walkin' In My Sleep (2:57)
10. Sales Lady (3:01)
11. Lady Doctor Blues (2:52)
12. Casey Bill's New W.P.A. (2:52)
13. You Shouldn't Do That (2:54)
14. Rooster Blues (2:51)
15. Spider Blues (2:52)
16. Go Ahead, Buddy (2:49)
17. Red Hot Blues (2:56)
18. Worried About That Woman (2:48)
19. You're Laughing Now (2:56)
20. New Round And Round (3:03)
21. Christmas Time Blues (2:44)
22. I Believe You're Cheatin' On Me (3:17)
23. 'way Down In Louisiana (3:28)
24. You Gotta Do Your Duty (2:47)
25. Midnight Blues (3:13)

In 1994, Document reissued 75 recordings by steel guitarist Casey Bill Weldon as his Complete Recorded Works, concentrating mostly upon titles originally released under his name. The third and final volume in this unprecedented series contains his last Vocalions, followed by his final Bluebird sides. Some of these (tracks 1-6 and 20-21) were issued as by Casey Bill Weldon & His Orchestra. In addition to two clarinetists (one of whom was Weldon's chum Arnett Nelson), an unidentified tenor saxophonist is audible on "Give Me Another Shot." Most of these records, however, were cut by Weldon's standard combo of steel guitar backed by string bass and piano, with an occasional second guitarist popping up here and there. On "Walkin' in My Sleep" and two takes of "Guitar Swing," Weldon sings with a vocal group named the Brown Bombers of Swing. If Weldon's blend of blues, country, and swing has confused legions of pigeonholing critics who expected African American musicians to sound a certain way, the mix on this collection is toe-tapping, laid-back, and very entertaining. Weldon was an exceptionally skilled guitarist, and "Guitar Swing" really enables him to demonstrate his steely chops. This segment of his discography is particularly rich in examples of the honky tonk, country dance, and Western swing element that distinguished Weldon from so many of his contemporaries. In addition to the titles already mentioned, they are "Sales Lady," "You Shouldn't Do That," "Go Ahead, Buddy," "Red Hot Blues," "New Round and Round," "I Believe You're Cheatin' on Me," and "You Gotta Do Your Duty." The rest of the tunes are blues that resonate beautifully with the haunting tonalities of Weldon's steel guitar, which gave off a much different sound than the standard bottleneck slide guitar associated with much of the blues recorded during this time period. Weldon's sound was unique and his collected works are well worth investigating in depth. ~Review by arwulf arwulf

Complete Recorded Works Vol. 3 1937-1938

Mo' Albums...
Barbecue Bob (Robert Hicks) - Complete Recorded Works 1927-1930
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Albert Ammons, Meade 'Lux' Lewis, Pete Johnson - The Boogie Woogie Trio, Vols 1 & 2

Album: The Boogie Woogie Trio, Vol.1
Bitrate: 320K/s
Time: 64:32
Size: 147.8 MB
Label: Storyville
Styles: Piano blues
Year: 1995
Art: Front

[2:05] 1. Boogie Woogie Prayer
[2:30] 2. Foot Pedal Blues
[2:19] 3. Jumpin' The Boogie
[2:40] 4. Cuttin' The Boogie
[3:43] 5. St. Louis Blues
[2:46] 6. Lady Be Good
[2:11] 7. The Sheik Of Araby
[2:08] 8. Pistol Packin' Mama
[2:34] 9. Rumboogie
[2:32] 10. Boogie Woogie Man
[2:51] 11. Yancey Special
[2:25] 12. J.J. Boogie
[3:29] 13. Swanee River Blues
[2:55] 14. St. Louis Blues
[2:57] 15. Glendale Glide
[3:19] 16. St. Louis Blues
[3:56] 17. Boogie Tidal
[2:54] 18. Mr. Freddie Blues
[4:01] 19. Spoony Sam
[3:39] 20. Six Wheel Chaser
[2:59] 21. Meade's Boogie
[3:30] 22. Six Wheel Chaser

In the late '30s, a boogie-woogie craze was launched, helped greatly by the exciting recordings and performances of pianists Albert Ammons, Pete Johnson, and Meade Lux Lewis, both as soloists and in various combinations. On the first of two CD volumes released by Storyville, there are ten exciting selections (five previously unreleased) from 1944 featuring the three pianists as a trio (including "Boogie Woogie Prayer," "Jumpin' the Boogie," "St. Louis Blues," and "Lady Be Good"), four solos by Pete Johnson from 1947 (including "Swanee River" and "Yancey Special"), and eight solos by Meade Lux Lewis that were broadcast from San Francisco's Hangover Club during 1953-1954. The recording quality is pretty decent and the playing by the three boogie-woogie masters is consistently heated and swinging. ~ Scott Yanow

Recorded in 1944. Albert Ammons, Meade "Lux" Lewis, Pete Johnson (piano).

The Boogie Woogie Trio, Vol.1

Album: The Boogie Woogie Trio, Vol.2
Bitrate: 320K/s
Time: 55:31
Size: 130.4 MB
Label: Storyville
Styles: Piano blues
Year: 1997
Art: Front

[2:15] 1. Pinetop Blues
[2:09] 2. G Flat Blues
[2:18] 3. Washington Blues
[1:46] 4. Jesse James
[2:16] 5. Has Anyone See Corrine
[2:49] 6. St. Louis Blues
[1:39] 7. Woo Woo
[2:08] 8. Saturday Night Struggle
[2:36] 9. Hersal Blues
[2:17] 10. Bear Car Crawl
[2:43] 11. Pete's Blues
[1:46] 12. Try Again
[2:29] 13. Mama's Blues
[1:27] 14. Shout For Joy
[2:36] 15. Boogie Woogie Prayer
[2:42] 16. Boogie Woogie
[2:43] 17. Boogie Woogie Jump
[3:33] 18. Jo J O
[2:43] 19. Four O'Clock Blues
[3:18] 20. Dupree Blues
[2:13] 21. Monday Struggle
[2:47] 22. Chapel Blues
[2:06] 23. Closing Time

The 23 selections on this generous CD feature boogie-woogie pianists Albert Ammons, Pete Johnson, and Meade "Lux" Lewis broadcasting from Chcago's Sherman Hotel in September and October of 1939. There are eight piano solos by Ammons, six from Johnson, and six by Lewis, plus a version of "Saturday Night Struggle" by the duo of Ammons and Lewis and two cuts with all three pianists. It is very good to have this music available again (along with two previously unreleased Lewis tracks), although one wonders why the music was shuffled around instead of having separate parts of the CD featuring individual pianists. All three players were in their prime in 1939 and quite enthusiastic about having finally been discovered. Easily recommended to boogie-woogie fans. ~ Scott Yanow

Live Broadcasts,1939 Recording information: 09/17/1939-10/31/1939. Albert Ammons (piano); Meade "Lux" Lewis, Pete Johnson (piano).

The Boogie Woogie Trio, Vol.2

Mo' Albums...
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Maggie Jones - Vol. 1 & Vol. 2

Saturday, May 4, 2013

Big Boy Teddy Edwards - Complete Recorded Works In Chronological Order 1930-1936

Size: 164,7 MB
Time: 70:49
File: MP3 @ 320K/s
Released: 1996
Styles: Country Blues, Piano Blues, Chicago Blues
Label: Document Records
Art: Full

01. Them Things (3:23)
02. Family Troubles (2:40)
03. I Ain't Gonna Give You None (2:58)
04. Lovin' Blues (2:55)
05. Wild Woman Blues (3:21)
06. Alcohol Mama (2:44)
07. Who Did You Give My Barbecue To (Part.1 80605) (3:03)
08. Who Did You Give My Barbecue To (Part.2 80606) (3:02)
09. I'm Gonna Tell My Mama On You (3:27)
10. Louise (80608) (2:55)
11. Love Will Provide For Me (3:01)
12. If I Had A Girl Like You (3:09)
13. Good Going Daddy (Take A) (3:35)
14. Good Going Daddy (Take B) (3:20)
15. It Was No Dream (2:48)
16. Louise (C-708) (3:01)
17. Dancing The Blues Away (3:07)
18. Hoodoo Blues (3:02)
19. Run Away Blues (3:12)
20. Who Did You Give My Barbecue To (Part.1 C-752) (3:09)
21. Who Did You Give My Barbecue To (Part.2 C-753) (3:11)
22. W.P.A. Blues (2:59)
23. Louisiana (2:36)

Chicagoan Big Boy Teddy Edwards was one of the rare early blues tiple player and certainly the only recorded blues singer with a tiple for this period (20's 30's) .
Credited on the Bluebird label:
" Singing with tiple, guitar , banjo and piano "

Little is known about "Big Boy" Teddy Edwards, a Chicago singer played both guitar and tiple and cut around two-dozen sides between 1930 and 1936 as well as contributing vocals to sessions by the Hokum Boys and Papa Charlie Jackson. Big Bill Broonzy recalled working with him and Papa Charlie Jackson. Today we spin the solo "Alcohol Mama" and the band backed "W – P – A Blues", a terrific cover of the Big Bill number. More information in the booklet included.

Complete Recorded Works In Chronological Order 1930-1936

Mo' Albums...
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Wednesday, May 1, 2013

Chris Wilson - Flying Fish

Size: 105,6 MB
Time: 45:25
File: MP3 @ 320K/s
Released: 2012
Styles: Acoustic Blues, Folk Rock
Label: Chris Wilson
Art: Full

01. I Believe The Unions Will Rise Again One Day (3:00)
02. Happy Ending (3:00)
03. My World Goes On Without You (3:27)
04. Crow Jane-Katie Cruel (4:06)
05. You Will Surely Love Again (5:12)
06. Black Birding (5:10)
07. Hard Land (4:26)
08. White Freight Liner Blues (4:47)
09. She Belongs To Me (4:11)
10. Rolling In My Sweet Baby's Arms (4:22)
11. I Walk The Line (3:44)

Flying Fish sees Wilson solo and acoustic: voice, guitar and harmonica. He tackles some of his favourite songs and reworks some of his own best compositions. While his brilliant ‘You Will Surely Love Again’ is given a very introspective treatment here, the power of the voice carries the meaning as deeply as any other musical setting, if not quite as dramatically. Similarly, ‘Hard Land’ is given new and vibrant life, while the Woody Guthrie-esque ‘I Believe The Unions Will Rise Again One Day’ is timely.

Wilson’s choice of interpretations span his musical interests from the country of Bill Monroe with ‘Rollin’ In My Sweet Baby’s Arms’, a lovingly performed version of Dylan’s ‘She Belongs To Me’, an emotive reading of Townes Van Zandt’s ‘White Freightliner Blues’ and a quiet Johnny Cash’s ‘I Walk The Line’ along with the traditional ‘Crow Jane/Katie Cruel’.

All the while, it is Wilson’s voice that is the star of the show (I must add that it is greatly assisted by the engineering of Colin Wynn and mastering of Michael Letho, who make it sound terrific).

Flying Fish

Mo' Albums...
Richard Shindell - Vuelta / South Of Delia
Nicholas Tremulis - Little Big Songs